Shure MV51 VS. Blue Yeti Head To Head Comparison – Which Is Best?
Shure MV51 VS. Blue Yeti
Perfect for capturing your latest performance or podcast or for helping you create a new song that you are working on, the best USB mics that plug into your computer turn your home into your very own recording studio without all of the hassle and cost.
Microphones that can as easily record vocals as music and offer great software to help you fine-tune your finished product are indispensable for anyone looking to make a name for himself or herself.
Rather than relying on the internal recorder on your computer, when you buy an external microphone that can plug into your USB port, you will enjoy increased functionality, stability, and reliability over what your internal microphone can offer and even impressive portability that will allow you to record in loud environments without all of the ambient noise that an internal microphone would pick up.
Compare Shure MV51 with Blue Yeti
Specification Comparison and Reviews
Using a point system from one to 100 makes it very easy to compare the Shure MV51 vs Blue Yeti external computer microphones and makes it simple for users to make an informed decision when they are shopping. By comparing these microphones and laying out three main features that they have, it makes it a lot easier to find the one that best meets your needs.
The polar pattern of a microphone is how it picks up sounds to record. While all microphones will have different sensitivities, some are going to be more sensitive to one direction over another while others won’t even pick up sound from a certain direction. When you use a microphone with a specific polar pattern, you will be able to record only what you want while cancelling out unwanted noise from elsewhere in the room. This helps you cancel out ambient noise or reflected sounds and improves the quality and sound of your recording.
While the Shure MV51 is a powerful microphone, it only offers a unidirectional cardioid polar pattern. This means that while you can easily use this microphone for podcasting or recording yourself singing or playing an instrument, you won’t get the feel of being at a live show.
This is great if you want to focus in on your voice and cut down the ambient noise but for a richer experience, cardioid polar patterns aren’t the fullest ones available.
The Blue Yeti microphone boasts four different polar pattern modes, making it easy to record exactly what you want without any additional ambient noise.
With omnidirectional mode that will allow you to pick up sound from all directions, cardioid mode that is great for recording sound that is directly in front of the microphone, bidirectional mode for recording two sources in the front and back of the microphone, and stereo mode for a very realistic sound, it’s easy to personalize your recording with this microphone.
If you want a microphone that will be able to easily record any kind of music, singing, or podcast that you want to make, then you are best off with the Blue Yeti.
However if you want a rich and powerful voice only microphone for podcasting, then the MV51 does better.
The frequency response of a microphone measures how it responds to different frequencies when it is recording. It’s important when comparing microphones to buy that you make sure that the one you choose has both a high and low enough range so that you don’t lose very low vocals or high notes in your music.
Since microphones all differ in how they pick up and respond to frequencies, it’s important to make sure that the microphone you choose will be able to handle the type of recording that you will be doing or you will miss out on some of the sounds.
20Hz to 20kHz is the normal frequency response for most microphones and the Shure MV51 is no exception. This microphone in particular is great for instruments such as drums because the Shure MV51 has a flat or neutral frequency response in this frequency.
This means that what you hear when playing the drums is what will be recorded. It will be a true sound and one that is generally unaffected by outside noise.
Even though this microphone is ideal for drums, it also does a great job picking up voices.
The frequency response of the Blue Yeti is 20Hz-20kHz. This is very standard across the board for most microphones but the Blue Yeti has high and low-frequency -3db points inside the edges of the range.
This means that most of the sounds that you record need to be farther within 20Hz-20kHz to ensure that you get a clear and crisp sound as otherwise they are going to be too muddled and possibly difficult to pick up.
Most people hear the sound as crisp, although the higher notes and sounds may read as a little harsh to some people.
Frequency response is important and you need to take it into consideration when buying a microphone. Microphones with larger frequencies will be able to better handle various high and low noises.
There was no clear winner between the Shure MV51 vs. Blue Yeti
In order to make sure that you have the clearest sound possible when recording, you will need a pop filter. This helps improve the sound of your recording by eliminating or reducing any popping sounds that fast-moving air can cause when you are talking or singing.
This filter, when it is external, will also help to protect the microphone from saliva, improving the microphone’s lifespan. Without a pop filter, any strong letters such as “p” and “b” can create a loud popping noise in the final recording, which can be distracting and ruin the overall effect.
With no included pop filter and no option to buy one as part of a package, the Shure MV51 may be easy to plug in and operate; however, without a pop filter, the user will quickly become discourage need to use added care.
While many companies suggest which pop filter will work best with their microphones, there is no recommendation for this one, which can make it difficult to find the right pop filter for the job.
However this microphone does not seem to be as sensitive to popping as others in its class.
The Blue Yeti can be purchased with an optional pop filter but the standard microphone does not come with one.
This means that you have to be very careful when speaking or singing into the microphone so that you do not have loud popping noises on your final recording.
Many people new to recording may not know that they need to buy a filter and this can result in frustration.
Shure MB51 = 160 points
Blue Yeti -= 180 points.
Overall, the best microphone for between the Shure MV51 vs. the Blue Yeti is the Blue Yeti. Based on comparing polar patterns, frequency response, and the pop filter, it’s a very intuitive microphone and one that is high-quality.
No matter if you are going to be recording music, making a podcast, or simply working on writing songs, this microphone has the features that you need to ensure a great final product that you’ll love.
- Richer Sound
- Solid Construction
- Vocal Centered
- Less Pop
- Unidirectional Only
- Doesn’t Do Well With Instruments
- Multiple Recording Patterns
- Available Pop Filter
- Instrument And Vocal Recording
- Solid Construction
- More Prone To Popping
- Lesser Signal Strength
As people who love music as well as podcasts, we choose the Blue Yeti as our choice when choosing between the Shure MV-51 vs. Blue Yeti